Tracks
1. 7:47 – Igor Stravinsky: ‘Apollon Musagète’ (Excerpts)
Claude Debussy: ‘Prélude à l’Après-midi d’un Faune’
2. 3:42 – Claude Debussy: ‘La Cathédrale Engloutie’
Igor Stravinsky: ‘The Rite of Spring’ (Excerpts)
3. 2:22 – Igor Stravinsky: ‘Petrushka’ (Excerpts)
Claude Debussy: ‘Gollywogg’s Cakewalk’
4. 4:12 – Claude Debussy: ‘Clair de Lune’
Igor Stravinsky: ‘Arioso’ from Concerto in D for Strings
5. 4:14 – Claude Debussy: ‘Scherzo’ from String Quartet in G Minor
Igor Stravinsky: Capriccio for Piano and Orchestra
6. 3:29 – Claude Debussy: ‘Les Sons et les Parfumes tournent dans l’Air du Soir’
Igor Stravinsky: Serenata from ‘Pulcinella’ after Pergolesi
7. 3:37 – Igor Stravinsky:’L’Histoire du Soldat'(Excerpts)
Claude Debussy: ‘General Lavine – Eccentric’
8. 8:02 – Igor Stravinsky: ‘Agon’ (Excerpts)
Claude Debussy: ‘La Mer’ (Excerpts)
Videos
- I. Stravinsky: ‘Apollon Musagète’ (Excerpts) / C. Debussy: Prélude à l’Après-midi d’un Faune
- C. Debussy: La Cathédrale Engloutie’ / I. Stravinsky: The Rite of Spring (Excerpts)
- I. Stravinsky: ‘Petrushka’ (Excerpts) / Claude Debussy: Gollywogg’s Cakewalk
- C. Debussy: ‘Clair de Lune / I. Stravinsky: Concerto in D for Strings, Arioso
- C. Debussy: from String Quartet in G Minor, Scherzo / I. Stravinsky: Capriccio for Piano and Orchestra
- C. Debussy: Les Sons et les Parfumes tournent dans l’Air du Soir / I. Stravinsky: Serenata from ‘Pulcinella’ after Pergolesi
- I. Stravinsky: L’Histoire du Soldat’ (Excerpts) / C. Debussy: General Lavine – Eccentric
- I. Stravinsky: Agon (Excerpts) / C. Debussy: ‘La Mer’ (Excerpts)
64 – Musica Coniuncta 6 – Debussy and Stravinsky
Collection: Somewhat Related
This album of Yantra’s Musica Coniuncta follows the particular ‘combinational’ method that was initiated with the preceding release devoted to J. S. Bach and Domenico Scarlatti (Musica Coniuncta 5). Instead of working with existing recorded pieces as in previous albums (Musica Coniuncta 1 to 4), the combination now works through MIDI files which are derived from printed music scores.
This method allows greater creative opportunities for integration of the music materials.
The chosen composers for this album are Claude Debussy and Igor Stravinsky. The original pieces of the composers are identified in the track titles.
There are of course several aspects – of technical, musical, and aesthetic nature – that could be discussed, but dealing with them here would be hardly manageable.
Questions then are welcome. And no AI is involved.