Tracks
| original tonality | |||
| Track 1 | 2:39 | Sonata K 024 | A Major |
| Track 2 | 4:07 | Sonata K 027 | B minor |
| Track 3 | 1:35 | Sonata K 062 | A Major |
| Track 4 | 2:02 | Sonata K 142 | F sharp minor |
| Track 5 | 3:25 | Sonata K 172 | B flat Major |
| Track 6 | 1:49 | Sonata K 175 | A minor |
| Track 7 | 2:24 | Sonata K 209 | A Major |
| Track 8 | 3:38 | Sonata K 260 | G Major |
| Track 9 | 3:00 | Sonata K 268 | A Major |
| Track 10 | 2:20 | Sonata K 293 | B minor |
| Track 11 | 2:30 | Sonata K 301 | A Major |
| Track 12 | 2:16 | Sonata K 398 | C Major |
| Track 13 | 2:22 | Sonata K 405 | A Major |
| Track 14 | 2:30 | Sonata K 448 | F sharp minor |
| Track 15 | 2:31 | Sonata K 450 | G minor |
| Track 16 | 2:36 | Sonata K 492 | D Major |
| Track 17 | 4:44 | Sonata K 519 | F minor |
| Track 18 | 1:55 | Sonata K 545 | B flat Major |
All tracks use a 7-tone scale of a specific gamelan, as illustrated in the liner notes.
Scarlatti on a 7-Tone Gamelan Scale
Collection: Somewhat Related
Booklet
Scarlatti on a 7-Tone Gamelan Scale
The MIDI-constructed tracks here presented are connected with the project that produced “Gamelan Scarlatti”, played by Bali’s Sanggar Kembang Ceraki and released earlier in 2016 (Yantra JNM29). As in “Bach’s Art of Fugue on a 7-tone Gamelan Scale” (Yantra JNM27, another MIDI-constructed album released in preparation of “Gamelan Bach” soon forthcoming), the ‘contamination’ of the classical compositions is invasive and structural, in that the original scores are played using only seven notes of the 12-tone chromatic scale; that is, ‘the’ seven notes of a particular Balinese gamelan.